YIN and YANG
There is friction to be found in playing with extremes. Our bathroom, boasting old European charm, took on a decidedly feminine identity with its pink-veined marble, 1930s Murano chandelier resembling a flower’s stamen, and romantic freestanding bathtub. I intentionally contrasted the daintiness by injecting harsh black elements—window frames, vanity mirrors (which I painted myself), and a range of vessels. I also introduced strong sculptural forms, like a nude male torso and strident sconces.
